Sorry, some files are now recording !
To listen these sound, you need RealPlayer
* These files are not streaming audio, so these sample will play after downloaded.
Overdrive units produce the warm and powerfull sounding distortion like the sound of an overdriven tube amplifier. Distortion units create harder distortion effects. Fuzz units recreate the sound of early 60s distortion boxes used by J.hendrix or 60's guitar greats.
|
|
|
|
Compressor reduces hot signal levels and boosts low input levels for a more consistent,balanced sustain with no distortion. This can also emphasizes attack.
|
|
This is the effect of multiple voices playing in unison. The chorus effect uses a small time delay that is varied to produce a slight pitch bend. When the delay signal is mixed with the input signal, the resultant sound moves with a rich, thick undulation.
|
|
Flanger adds a swirling effect to create a modulated sound. This is a time delay effect using very short (shorter than chorus) time delays mixed together with the input signal. When the time delay is varied the peaks and notches move or sweep. Use a distortion unit at the same time to obtain powerful jet-like effects.
|
|
|
|
Phaser produces a more "swirling" effect than either flanger or chorus.
|
|
This is vibrato effect.
|
|
Tremolo create classic 60's guitar amplifiers or automatic stereo panning. Some models have square wave modulation. Using with the square modulation mode produces a machine gun sound.
|
|
|
|
This change the pitch of an original sound and simultaneously output it with the dry signal to produce harmonics.
CONVENTIONAL PITCH SHIFTER : always maintaining the pitch difference. This can only produce parallel chromatic harmony.
INTERIGENT PITCH/HARMONIZED PITCH : automatically detects input signal pitch and adds correct harmony to the note played by altering the pitch ahift amount as required for more musical enhancement. Some models can create parallel scalic, contrary motion,and chordal harmony. This require single or one-at-a time note input to shift cleanly.
VOCAL HARMONY PROCESSOR : As you shift the voice beyond 4 or more semitones, the voice begins to sound and more like a cartoon character. The vocal harmony processor is especially designed for the human voice and solve this problem. This also require single or one-at-a time note input to shift cleanly.
|
|
|
This can smoothly bend notes with foot pedal. Perform dive bombs or whammy bar pull ups - up to 2 octaves.
|
|
This produces sound that's one or two octaves lower than the original signal.
RING MODULATOR effectively takes two signals (each with some frequency), and produces a signal containing the sum and differences of those frequencies. These frequencies will typically be non-harmonic, so the ring modulator can create some very dissonant sounds.
|
|
The pedal effector that create baby voice "wah wah".
|
|
This is a dynamics-sensitive picking wah that changes with picking strength.
AUTO-WAH / TOUCH WAH : band path filter
|
|
Create human voice "Yo-i", "Ya-i", "Wo-u", "o-e", etc.
|
|
This emphasizes just the harmonics or controls phase for a clear, brilliant, exciting sound.
DRY |
EXCITER |
This records the input signal and delays it for the time specified, then plays it back for a natural echo effect. TAPE ECHO MACHINE : Lo-Fi, long delay time ANALOG DELAY : Lo-Fi, short delay time DIGITAL DELAY : Hi-Fi, long delay time
|
|
|
|
|
|
Reverb combines multiple digital delays to simulate different sound decay characteristics from small rooms to large halls.
|
|
Foot volume controler。
it increases the dynamic range of a signal such that low level signals are attenuated while the louder portions are neither attenuated or amplified. This behavior is opposite to that of the compressor. The noise gate is expansion is taken to the extreme, where it will heavily attenuate the input or eliminate it entirely, leaving only silence.
distortion |
distortion + NOISE REDUCTION |